Auteur Theory

Auteur Theory is another film theory that depicts the idea that the director is viewed as the major creative force in a motion picture, which arose in France in the late 1940s and is associated with the French 'new wave.' They are essentially the 'author' of the movie as opposed to the writer of the screenplay. The director has a specif mark all control over thematic or stylistic consistencies, personal aesthetic vision, recurring themes, established techniques, and has a defined view of the world. Thus, their films are recognisable and consistent within their own technique and specific style. Often film tropes and memes are broken in order for their own individual style to shine through. 

 Tim Burton is an example of an Auteur director. Similar themes, camera shots and even actors and constantly used in all of his films i.e. the outstanding character who doesnt fit in with society: Edward Scissorhand, Jack Skeleton, Beetlejuice. Wes Anderson also, is considered an Auteur director through his character driven, humourous and impactul screenwriting and specific framing. 'The Grand Budapest Hotel' is immensely colourful and feels almost animated, which is recurring amongst his other films such as 'Moonrise Kingdom.' 

 With horror, the great Wes Craven comes to mind when thinking about Auteur directors. He is a fan of blurring the line within reality and fantasy, such as in 'Scream' where a fourth wall is broken with it being a horror film about horror films. 

Image result for wes cravenImage result for tim burton

Comments

Post a Comment

Popular posts from this blog

Target Audience of Horror Films

Image
A key aspect of beginning the process of making my short film is gaining an understanding of who I am catering it to. To do this I will be investigating the typical target audience that appeals to the horror genre. Age Horror movies are clearly aimed towards the young adults and teenagers, between the age of 15-25 typically. Stuart Fischoff makes this clear in his investigation by stating the fact that young people need and enjoy intense stimulation: sounds, tastes and touch. They are risk takers when it comes to the senses. The height of this being fear and adrenaline, of which horror offers up plenty. It is stated via research data that those 60+ 'often have acquired stimulation fatigue and vulnerability anxiety regarding real or fantasy dangers.' Perhaps then this is why it is often seen that the young and reckless are the common victims of said films, while the old tend to play the creepy and bizarre; the juxtaposition of an old frail person taking on a terrifying ...
Read more

What makes a good short film?

A short film has to essentially encompass all things a full length film normally would do: all within the space of, in our case, under 5 minutes. This is why it is so important to recognise all these factors and then try to apply to our own final task. First of all I think it would be beneficial to identify what classifies a short film. Typically the piece gains the title short film if under 40 minutes, fairly often these films will be on a much lower budget than the types you would see on the big screen. Also there tends to be a unity of time and action in these films, wherein the location remains the same and is within a short period of time. Obviously this is not always the case; one of our ideas initially was to have a day-to-day until one day something goes wrong esque film. While I do still believe this could be a valuable idea, because of our genre focusing on horror, it would be much more impactful if felt in the moment; if you could live the scene along with the main characte...
Read more

Analysis of two short horror films

I watched two short horror films. 'The Red Balloon' and 'The Smiling Man.' They both sufficiently fitted into the horror genre but in different ways. The red balloon was a short film about a babysitter looking after a young girl alone until it become apparent that something is wrong with the girl, until it is revealed that a psychiatric ward escapee is hiding in her room. The smiling man, was much stranger, and in my opinion scarier. It again was about a young girl however this time she discovers a strange smiling man/creature in her creature, who is revealed to have killed her parents. Inner. (Thematically) The Red Balloon had a young girl in it and alongside this, children's toys with a pink child's room. The child is always a signifier of danger or general creepiness in film, if you know the genre you are well aware that when a child is involved it tends to attract the paranormal. The children's toys are portrayed as creepy. This is obviously the oppos...
Read more